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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam
Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

The Jester (self portrait)

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

ORA - Homesickness Project 2015 by Chrys Zantis

Food for thought

Magazine article by Michael Wardell, 2016

Michael Wardell on Chrys Zantis’ Ora.

Director John Duigan and actor Judy Davis on the set of ‘Winter of our Dreams’, Sydney, 1981 by Robert McFarlane

Natural born stiller

Magazine article by Penelope Grist, 2016

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Thua Tich, South Vietnam, 1969-06 by Christopher Bellis

The jungle look

Magazine article by David Gist, 2019

David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Practising the Minuet (Miss Hilda Spong)

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

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Portrait Donors

Listed by year
Honour board
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King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency